A brief interlude from all the Russo posts:
In March, I had the pleasure of assisting Minna Choi and the Magik*Magik crew with a livestream performance of Max Richter's "Recomposed" at the Merced Theater. Here is a tiny snippet from…
Read moreApr 18 2021
A brief interlude from all the Russo posts:
In March, I had the pleasure of assisting Minna Choi and the Magik*Magik crew with a livestream performance of Max Richter's "Recomposed" at the Merced Theater. Here is a tiny snippet from…
Read moreApr 17 2021
In Chapter 4, we explore small and large themes!
First, we will start with a motive (also called a motif, cell, or figure): a series of tones that are distinctive, but incomplete - usually 1-2 measures long. A small theme…
Read moreApr 12 2021
In the last part of Chapter 3, we learn about musical addition, subtraction, context, and subfigurations!
When you add tones (e.g. passing, neighboring, anticipation, ornamentation, and/or auxiliary tones) to an original theme, this is called Addition. When…
Read moreApr 11 2021
In the next part of chapter 3, we learn about different kinds of rhythmic transformation!
Rhythmic Transformation: "a theme's rhythm is changed in order to vary it from previous statements."
Displacement: a phrase can be started on…
Read moreApr 8 2021
Chapter 3 is all about transformation. It details the different types of melodic transformation and rhythmic transformation - more tools to add to our composer tool box! Transformation is useful because it can stretch out ideas and give you more…
Read moreApr 7 2021
Passing tones move by major or minor seconds between two chord tones that are a third apart.
Musical Test Kitchen · Passing TonesAccording to Russo, a neighbor tone is a non-chord tone that is a…
Read moreApr 6 2021
As a warm up for sabbatical times, I’ve decided to finish working my way through William Russo’s book Composing Music before 6/1. It’s been a great primer so far and will be fun for my students too!
In…
Read moreApr 5 2021
Before I wholly dedicate myself to sabbatical prep, I wanted to share the fruits of a fun side collaboration (Twilight Fox™) with my friend Vincent Favilla. Vince wears many hats - psych professor, programmer, artist, musician…
Read moreApr 3 2021
For those of you who expressed interest in the nuts and bolts of my learning journey, I've provided a general outline for the current vision below. And if you are a joyfully curious composer who would like to work through…
Read moreApr 2 2021
In lieu of grad school, I have decided to embark on a DIY deep dive into the study of composition and orchestration. In order to carve out large blocks of time for uninterrupted learning and creating, I am taking a…
Read moreJun 1 2020
The Russo saga continues...
King Edrevol is so moved by your musical performance with Ceridwen that he has to wipe away a tear before clapping. You think he is awfully sensitive for someone with a bloodstained reputation, but…
Read moreMay 19 2020
In May of 2019, I gave a talk/performance at Pixar Animation Studios about nine extraordinary women composers and their music, and the first composer I introduced was Hildegard Of Bingen. Here is a partial…
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