I've been puttering my way through Ron Gorow's Hearing & Writing Music: Professional Training for Today's Musician for quite some time, and I was able to finish it this week. There are already plenty of descriptions/reviews of Gorow's book floating around on the internet, so I won't add to the chatter. Instead, I created a snippet that was inspired by Gorow's explantation of "exotic" tetrachords (specifically two Phrygian-Major tetrachords stacked on top of one another) on page 129.
